list for life: 2012 (so far) in tracks. 1/3

“Lists are essential to cognitive development and without them the world as we know it would cease to exist” Kony, 2012

Imma be a bit lazy and bombard you with a few words, but mostly bulk listening enjoyment. I haven’t been consistent in my blogging so here’s some catch up tracks. For some of you these tracks have come and gone, been thrown on playlists, flogged mercilessly, treasured, coveted and adorned. While for others they may be as foreign and strange to you as those pesky refugees that keep on tryna jump the bloody queue bloody carbon tax Ju-liar Gillard’s the reason we lost the olympix it AINT right

JKS ily refugees. and i also ily Royal Headache who also ily refugees, I guess, that’s what i got from tracks like Girls

They’re one of my favourite Aussie bands at the moment, and I know I’m late to the party but their self-titled debut last year deserved every accolade, every ounce of recognition, every pinch of praise. Begs the question- why haven’t JJJ got on board?

This wasn’t the Clams Casino song I wanted to share, but it’s still pretty #swag, the kids still say swag right? The one I had in mind was really strange and kept on going quiet and then music and then quiet. It was more rap, and it was filmed in like a neighbourhood with bruvvas on bicycles. Any ideas what I’m talking about, hit me up in the comments.

It’s safe to assume that few bands/tracks I share with ya’ll I found by myself. MOST were shared to me by peeps with so much coolness and cred, I’ve grafted it off them without them even noticing. Anyway, to save time, I’ll rarely name who shared what with me- you know who you are, sleep well. Cass McCombs is a perpetually forever-giving gift that I wish i knew sooner.

Yes, yes, yes. Lots of posting of Major Lazer’s Get Free, but I wouldn’t be a blog operating in 2012 if I didn’t as well. The prevalence is testament to its quality, like flo-rida. But in all seriousness, first 3 listens, didn’t get it. Next 3, was getting it, was curious, I was still coming back. Next 20, it was paralysing. I repeated the turd out of it. Julian said it was the best song since Paper Planes, but Julian is always saying radical stuff like that. DO YOU KNOW HOW MANY INCREDIBLE SONGS HAVE BEEN RELEASED SINCE PAPER PLANES JULIAN?!?! Man I miss that guy.

I’d stopped at 212. MISTAKE.

House by Kindness will probably be in my top 10 tracks of the year. It’s a simple pop baby, but the lethality of its hooks shouldn’t be underestimated. It’s a shame the rest of the album wasn’t this effervescent/smooth/interesting, but maybe that’s what he intended? If you watch the video he talks about Pop music where only 5% of the album is good? Also, there’s big chunks of things he says in this video that I don’t think I agree with, but it’s creative and different none the less.

It’s the astonishing 48-second rap streak that causes your eyes to roll back into your head. How can someone’s mouth wrap itself around so many words in such little time?!?

Blasko’s at it again. It’s a really great compromise track where everyone wins. For the already-fans, you’ve got her beautiful voice to hang onto. For the undecided, I’m Awake enters new, exciting territory with rolling drums, a hypnotic-build and string-crescendos. And just classiness hey.

Kishi Bashi is fun to say and fun to listen to and fun to have fun to. Could be a temporal-fun-fest but he does well to combine a lot of experimentation with Beatlesish pop and keep it catchy and coherent. You feel like you’re constantly being force-fed instruments and sounds, but you don’t get bloated. It’s like sushi. Kishi Bashi Sushi.

Dayyyum. I can’t listen to it loud enough, guess I’ll have to go see him next week.

Advertisements

Gospel Gigs: Vivid: LIVE

Image

Seekae are sleekae. For Seekae trims and doos, contact their management. Photo from Rice is Nice

I’m convinced Vivid: LIVE organisers are involved in some vertical integration plot with hysteria medication and credit card companies.
FOR SRSLYS.
If their was a school subject called ‘get really good bands to come play in Australia at the opera house, oh but the opera house has to be lit up’ then they’d probably top their class, or at least get band fives or sumfin. But no, instead we’ve got maths and english; the BOS just don’ get it.

There’s a whole bunch of teeth-melting incredibility on the bill-bo baggins (that’s hobbit for bill), buuuuut my picks are as follows:

AMON TOBIN LIVE BEYOND 3D ‘ISAM’ (Brazil)
2 June. Tickets from $59.
3Delightful. Amon Tobin’s conquering audiovisual experience, nay, enlightenment.

BRYCE DESSNER, NICO MUHLY & SUFJAN STEVENS (USA) – A VIVID LIVE commission with The Barbican London & Muziekgebouw Eindhoven
28 – 30 May. Tickets from $59.
It doesn’t specify what kind of collaboration is going on here; my money is on sitcom or thank-god-you’re-here improv.

JANELLE MONÁE & THE ARCHANDROID ORCHESTRA (USA)
26 – 27 May. Tickets from $59.
Man oh man.

MODULAR NIGHT – Tom Vek , Jonathan Boulet & Kindness (UK, AUS)
26 May. Tickets $45.
Tom Vek can fit his full name on the screen when bowling. I don’t now who Kindness are but i’m wary of them and their duel citizenship.

SEEKAE (AUS)
27 May. Tickets $30.
Seekae! Sick aye? See (what i did there)kae? Sneekae. One of the best Australian bands going around at the mo.

Check out the full lineup (which includes Karen O, Temper Trap, Florence & the Machine, Zola Jesus, Efterklang and more), here.